Michelle DeRusha

Every Day Faith. Faith Every Day.

writing

Why We Need to Cultivate Harmonious Passion in Our Work

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Photo by Noah Johnson

I haven’t always been a writer. I wasn’t the kind of kid who scribbled stories or penned poems or daydreamed fantastical narratives in my head. I didn’t dream about “becoming a writer” someday.

When I went off to college I majored in English mainly because I loved to read and could craft a well-structured, articulate research paper. After I graduated I worked for more than a decade in both the corporate and the non-profit worlds, where I wrote annual reports and brochures, ad copy and marketing content, case statements and fundraising letters.

It wasn’t until I was in my late 30s that the process of excavating my spiritual and religious background ultimately led me to write my first book – and then three more books after that.

What I am realizing now, more than a year after publishing my last book and nearly a year since I stepped out of the publishing arena, is that I have always written to produce a particular outcome. In my corporate and non-profit jobs, I wrote to produce marketing and fundraising content. And as an author, I wrote for the purpose of publishing books. I even began blogging in 2009, long before I had an agent or a book contract, solely to build a platform for what I hoped would be my first published book.

I enjoyed the work. Writing was invigorating and satisfying, and I was passionate about it. I believed it was my calling. But what I am beginning to understand now is that there is a difference between pure passion – engaging in your passion because you love it and because you can’t imagine not doing it and because it’s woven into who you are as a person – and passion driven by extrinsic rewards.

Psychologist Robert Vallerand calls these two types of passion “harmonious passion” and “obsessive passion.” And the difference between the two comes from how they are internalized in one’s identity.

According to Vallerand:

“Harmonious passion (HP) results from an autonomous internalization of the activity into the person’s identity. An autonomous internalization occurs when individuals have freely accepted the activity as important for them without any contingencies attached to it. Individuals are not compelled to do the activity but rather they freely choose to do so. With this type of passion, the activity occupies a significant but not overpowering space in the person’s identity and is in harmony with other aspects of the person’s life.” (my bold)

Obsessive passion (OP), on the other hand, “results from a controlled internalization of the activity into one’s identity. Such an internalization originates from intrapersonal and/or interpersonal pressure either because certain contingencies are attached to the activity such as feelings of social acceptance or self-esteem, or because the sense of excitement derived from activity engagement becomes uncontrollable. Thus, although individuals like the activity, they feel compelled to engage in it because of these internal contingencies that come to control them.” (my bold)

Scott Barry Kaufman and Carolyn Gregoire summarize Vallerand’s hypothesis in their book Wired to Create, concluding this:

“Obsessive passion is an indicator that the activity has not been healthily integrated into a person’s overall sense of self. The ego feeds on high performance, and the person may find herself pushing too hard with little improvement, sometimes leading to mental and physical injury. In a nutshell: harmoniously passionate people are impelled to create, whereas obsessively passionate people are compelled to create by more extrinsic factors.”

In other words, it all comes down to how a person internalizes their passion. Does their passion become part of them because they love it and they would pursue it no matter what the outcome? Or does their passion become part of them because they have connected it to their sense of value and self-worth?

Oh boy. Lightbulb moment: I fall into the obsessive passion camp.

Obviously there are many authors who are both impelled and compelled to write. In other words, they are successful and probably at least somewhat motivated by extrinsic factors (books sales, best seller lists, etc.), but they also receive deep joy and satisfaction from the creative process. Their scale probably tips generously toward  harmonious passion.

My problem, it turns out, is that my scale tips heavily toward obsessive passion – always has. Yes, when I was writing books I desired to share stories that I hoped could help or at least resonate with others. Yes, I enjoy writing. But let’s cut straight to the chase: I was largely in it for the external rewards (publication, status, recognition, approval). And that, combined with the inevitable depletion that came from publishing four books in five years, thousands of blog posts and an infinite number of social media posts, led to a creative and professional breakdown of sorts (and perhaps a wee bit of a personal breakdown).

Which brings me to today. After a professional lifetime of writing for extrinsic reward, I am now learning how to write simply for the joy of it. As silly as it sounds, I am slowly teaching myself how to have harmonious passion for writing. I am learning how to pursue my passion without any contingencies attached to it.

I do believe harmonious passion can be learned, especially if a seed of it is there (however deeply buried it may be). And I know the seed of harmonious passion for writing is in me because of how I’ve often felt these past few months when I am writing. Whole hours slip by unnoticed when I am at my desk, fingers on the keyboard. I am relishing language – reveling in the simple but deeply fulfilling hunt for the perfect word or a gratifying turn of phrase. I am dipping my little toe into writing poetry, just because. And while I know journaling is, for me, a fruitful way to nurture self-awareness and growth, I also appreciate that writing in a public space helps me improve my craft and grow as a writer…which is why I am still writing here, rather than solely in the pages of my private journal.

That said, it’s not easy to break a lifelong habit. Writing for outcomes and extrinsic rewards is my default mode; it’s automatic. Which means every time I catch myself thinking about platform or “felt need” or whether a particular post will resonate with my audience, I have to gently redirect myself back to the reasons I write these days, which are all rather basic:

Because I like working with words.

Because it helps me figure out who I am and what I think about things.

Because it’s challenging but also (mostly) fun.

I haven’t ruled out the possibility of writing another book someday, though I can’t imagine doing so anytime soon. I do know this though: if I do step down the book-writing road again, the book I write will come from a deep place of harmonious passion in me.

What about you? Have you ever struggled with obsessive passion? 

Navigating the New Landscape of You

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A few years ago I dramatically pruned the shrubbery in my backyard. For two days I went at it with the loppers, chopping off clumps of foliage, clipping dead twigs, sculpting and reshaping the remaining branches. When I was done, the landscape was transformed.

Noah, our resident Tree Lover, was not pleased – he disdainfully called me Paul Bunyan for weeks afterward – but I loved it. I could see more of the sky and the neighbor’s house across the street. Light streamed into spots that had previously been dank and dark. Though it was still the same size it had always been, the backyard suddenly felt much more spacious – open, airy and inviting.

Still, for about a week after the dramatic pruning, every time I glanced out the sunroom windows into the backyard, I did a double take. The landscape was so different, so unfamiliar – I hardly recognized it. Even though I loved the openness and was glad I’d pruned the shrubbery, my new backyard took some getting used to; I had to reacquaint myself with it.

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A few weeks ago, my friend Kimberly read my blog post about whitewashing the reality of poverty and Voxed me with an idea. It was a good, strong piece, she said, and she suggested I might want to rework it a bit and pitch it to Christianity Today. It was a timely topic, she noted – something she thought would resonate with a broader audience.

I immediately set to work researching other online articles on global poverty and mission work, reviewing Christianity Today’s submissions guidelines and considering how I would reshape the post into an article that might resonate with CT’s audience.

In the middle of that process, though, I became aware of the slightest bit of a pit in my stomach, which in turn prompted me to ask myself a question: Do I actually want to revise this blog post and pitch it as an article to Christianity Today? Do I want to do this work?

At first, in spite of the stomach pit (note to future self: the pit tells the truth!), the answer was not readily apparent, and so I held out the question – Do I want to do this work? – and examined it further. I turned the question around and around and gave myself the space for my true desire to make itself known. I allowed myself to figure out how I actually felt about pursuing this opportunity.

In the end, I realized I did not want to revise my blog post into an article to pitch to Christianity Today. I realized it was, in fact, the very last thing I wanted to do.

Turns out, striving is still my default mode. After a lifetime of pushing to make progress and striving for measurable results, it’s easy, almost mindless, for me to fall into my old habits and rhythms. Striving is familiar terrain for me (and just to be clear: striving to achieve a goal or make progress is not inherently a bad thing; in fact, it can be a very good, very positive thing. But it’s not the thing I want to do right now). On the other hand, this new place I’m now navigating – this place of writing solely for creative pleasure, of writing toward no particular outcome – is still largely unknown and unfamiliar, which makes it equal parts exhilarating and unnerving.

I am discovering that it takes intentionality to learn to live and thrive in a new landscape. I’m learning to slow down rather than steamroll ahead, to look inward at my own needs and desires rather than capitulate to what I think I should do or what I assume is expected of me. I’m learning to ask myself probing questions and then allow the time and space to listen for and hear the answers that come from my soul.

I’ve done some dramatic pruning in my life over these past several months, and while it’s been a fruitful, space-making, life-giving process, and I generally like the results, it’s also taken some getting used to. I am, in many ways, getting reacquainted with myself. I am still navigating this new landscape of me.

 

Why Your Passion Doesn’t Have to Be Your Job

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This morning on the way to school, my son Noah, who is a senior and deep into the college application process, mentioned he might want to attend the University of Nebraska here in Lincoln. “That way,” he said, “even if I live on campus, I can still come home to take care of my plants.”

I bit my tongue to keep from blurting, “That’s the dumbest thing I’ve ever heard!” I mean, really — who selects a college based on its proximity to their houseplants?

Well, the answer is: Noah does. Because plants are Noah’s passion.

Noah started collecting plants almost before he could speak in complete sentences. This is the kid who, when he was a preschooler, sat on Santa’s lap at the mall and asked for the book Designing with Succulents for Christmas. I’ve never seen a Santa Claus look so utterly baffled as I shouted out from behind the velvet rope, “It’s a gardening book!”

The shelves in Noah’s room are lined with succulents and cactus. A rubber tree is staked near the window, and a dracaena marginata sits adjacent to his nightstand. In the early mornings, a fuchsia glow seeps from the crack beneath his bedroom door, light from the “grow lamp” he bought for his candelabra cactus. When I went to Honduras this summer, I texted him photos of giant agave clinging to the rocky hillside. I know my son; he prefers pictures of plants over people.

I thought about all this in the car this morning after Noah made his declaration about choosing a college that’s close to his houseplants. “That’s fine; I get that,” I finally said (diplomatically). “But you know,” I added, “I’m surprised, given how much you’ve always loved plants, that you don’t want to major in botany or horticulture. Plants are your passion, so why wouldn’t you want to major in something that would lead to a career working with plants?”

Noah has told us that he wants to pursue a major in the humanities. He’s mentioned English, German and history as possibilities; he insists he’s not interested in science, in spite of his obvious proclivity toward plants, the environment and nature.

“What about botany? What about forestry? What about environmental studies?” my husband and I ask from time to time. We’ve always expected, assumed, Noah would pursue something planty, something sciencey. Which is why I asked him this morning, “Why? Why wouldn’t you pursue something that is so obviously your passion?”

Noah shrugged. “Your passion doesn’t always have to be your job,” he answered.

Photo credit: Curt Brinkmann

Photo credit: Curt Brinkmann

I wrote my first book, Spiritual Misfit, 12 years ago (it was published in 2014, but it was written long before that). It took me two years to write the first draft of that book, during which time I would awaken before dawn, pull on my red fleece robe and a warm pair of socks and traipse down to the basement, where I hunched over the keyboard for an hour or two while my preschooler and toddler slept.

During those early mornings, tapping out words on the basement computer, I lost all track of time. The world did not exist during those hours. Time did not exist. My responsibilities and the demands of my daily life did not exist.

There was no blog (that came later). I didn’t have a Facebook account, Twitter hadn’t gone mainstream and Instagram didn’t yet exist. I didn’t know what a “platform” was. I wasn’t thinking about “felt need” or audience. I didn’t know anything about proposals or querying or agents. Sure, I had dreamy hopes that maybe someday I would publish whatever it was I was writing, but that all seemed very vague and very distant.

Mostly I wrote because both the process itself and what it revealed was intriguing to me. I wrote because through the process of writing, I discovered important things about myself, and I was curious to uncover more. I wrote because writing revealed myself to me. And because it was fun. Writing the first draft of Spiritual Misfit was a pure, undiluted pursuit of passion.

“Creative fields make crap for careers, but creative living can be an amazing vocation,” writes Elizabeth Gilbert in Big Magic.

This may not be true for everyone. I’m sure there are plenty of people, Gilbert herself included, who are able to successfully meld their passion and their career into one fulfilling, delightful pursuit. I have learned, though, that I am not one of these people.

Over the last ten years, writing morphed from my play and passion into my profession. It was a slow change, so slow I didn’t even recognize what was happening. I think maybe for a little while I was able to have it both ways — a passion that was also my profession. But over time, the demands of my profession — platform-building, meeting a “felt need,” mainaining social media, growing an audience, tracking sales, speaking, attending conferences, managing launch teams, writing book proposals and articles — edged out my passion bit by bit, until finally, like the moon covering the sun in a total solar eclipse, it obliterated it entirely.

Today I find myself in a different place. I have a job that I like and find fulfilling but is not my passion. The professional demands that strangled my passion for writing have fallen away. I am not building a platform or writing for a particular audience or striving to address a “felt need.” I do not feel the need to be productive with my writing. I’m not thinking about branding or messaging. I deleted my professional Facebook page, and I post on Instagram when I feel like it. I’m writing what I want to write about — and when I hear myself saying, “That’s selfish,” I tell myself, gently, “No, it’s not.”

Once again, I am remembering why I like to write. I am remembering that writing is fun and helps me feel more deeply alive. Most of all, I am remembering what I knew 12 years ago when I wrote the first draft of Spiritual Misfit in my basement, which is exactly what Noah clarified for me in the car on the way to school this morning.

I am remembering that my passion doesn’t have to be my job.

Photo credit: Curt Brinkmann, Life’s A Story Photography

Why We Need to Feel Our Grief

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“You’re going to feel some pressure,” the doctor murmured as he inserted the needle into my elbow. Turns out “some pressure” was the euphemism of the century. What I actually felt during the five-minute platelet injection was teeth-gritting, fist-clenched agony.

By the time the short procedure was over, hot tears were slipping down the sides of my face, along my hairline, over the edge of my jaw and down my neck, where they dripped one at a time, slowly and steadily like fluid in an IV bag, onto the white sheet beneath me.

Much to my surprise, once the tears started, they didn’t stop. Neither the doctor nor the nurse knew quite what to make of my silent but persistent weeping. The nurse thrust a fist full of tissues into my hand. The doctor advised ice, two Extra Strength Tylenol and limited elbow movement. And then they both fled, the nurse urging “take your time,” before pulling the door closed with a quiet click behind her.

I cried as I retrieved my purse from the hook and gingerly slipped it over the shoulder of my good arm.

I cried as I hurried through the waiting room, chin tucked, hair shielding my streaming eyes so as not to scare the living daylights out of the patients awaiting their own appointments.

I cried as I drove home, wrangling the steering wheel with one hand.

I was still crying as I tucked myself into the corner of the sofa, cradling my throbbing elbow with a cupped palm.

It was only then that it occurred to me that I might be crying over something other than my elbow.

Earlier that morning I had published the blog post I had written about my decision to quit book writing. As I’d sat in the orthopedist’s waiting room, I’d pulled the post up on my phone to read some of the comments that had begun to accumulate.

I didn’t expect any “big feelings.” Though I’d published the post about my decision that morning, I’d made the actual decision weeks before. Choosing to leave traditional book-writing and publishing was a decision that, after careful discernment, I believed in my heart was right and good. I acknowledged there was sadness – I even named it grief in the post – but mostly what I felt in the aftermath of the decision, and as I wrote the blog post about it, was relief, an unburdening.

Until, that is, the orthopedist’s needle pricked something else far beneath flesh, bone and tendon.

What began as a tearful reaction to unexpected physical pain crossed an invisible threshold. My tears at the sudden, sharp stab of the needle deep in the soft tissue of my elbow opened a portal of sorts into which I tumbled headlong, like a time-space traveler hurtling into an unfamiliar dimension.

The tears prompted by the unexpected jolt of searing pain opened the way to the sorrow and loss I had acknowledged in words but hadn’t actually allowed myself to feel.

Experts say that we Enneagram Type 3s are the least aware of and in touch with our feelings. Until recently I would have told you that I was a person who was very in touch with her feelings, thank you very much. But I am beginning to see this might not be entirely true. I am beginning to realize that just because you say you feel something and even name it publicly doesn’t mean you’ve taken the time and space to actually feel it – to wade into that sorrow and allow yourself to experience the confusing, uncomfortable, unkempt mess of it.

The truth is, it’s hard and deeply uncomfortable to feel, really feel, pain. No one actually wants to sit with and in pain. And yet, I believe the only path to true healing, growth and transformation is to do exactly that – to step into the pain, to stay in it and lean into it for as long as it takes. As so many wise people have said, the only way out of grief is through it.

After the emotional ungluing in the orthopedist’s office, I spent the rest of the week quietly and slowly reading through every beautiful, heartfelt, kind, loving, and encouraging email, blog post comment, Facebook message and tweet I received in the wake of my announcement about leaving traditional publishing. There were A LOT. (thank you!!!)

My inclination was to rush, to skim over these notes of kindness, empathy and compassion. I wanted to read through them fast, to get it over with in order to keep myself at arm’s length from whatever emotions might begin to rise to the surface.

But I didn’t do that. Instead, I read each message slowly and thoughtfully and responded personally to many of them. As I read and replied, I let myself receive and feel all the feelings – gratitude, love, joy, relief, regret, sorrow, fear, disappointment, grief. I stayed in the feelings, leaned into them – into their unruliness, into their stubborn refusal to be managed and contained.

It was uncomfortable and unfun to feel the real brunt of this loss. And yet, I believe it was an important and necessary step toward trusting in something that is, for right now, beyond what I can see.

Why I’m Quitting Book Writing

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I tried to think of softer, more sophisticated title for this post, but the fact is, I’m quitting book writing, and there’s really no other way to say it. Turns out, I wrote a book about the journey toward uncovering your true self, and along the way, I discovered my true self does not align well with my work. This is knowledge I think I’ve understood deep down for a long time, and yet, I’ve held on, clutching and grasping with all my might, unwilling and afraid to let go.

Until now.

The truth is, working as a traditionally published non-fiction writer is a rough sea to swim in if you wrestle with a desire for success and recognition, if you grapple with a longing for approval and affirmation or if you tend to fixate on outcomes. Plenty of writers are able to navigate a smooth, steady course through these tumultuous waters without losing their whole selves in the process.

As it turns out, I’m not one of those writers.

I’ve learned the hard way over the last ten years of writing and publishing that staying whole and healthy in this vocation is, for me, not a simple matter of willpower, nor is it a simple matter of surrender. It’s not about trying harder or surrendering more. Believe me, I’ve done both. I can muster every ounce of willpower and surrender six ways to Sunday, and the bottom line is still the same: working in traditional publishing is not good for me. My tendency to seek affirmation and validation and my desire for recognition and success can quickly veer toward addictive behavior if I’m not careful. It’s a little like an alcoholic working in a bar. It might be doable for a while, but in the end, it’s probably not a wise choice for a long-term profession.

Last fall, two months before True You released, I stood at the curb with Josie on the leash and gazed up at a large pine tree in my neighbor’s front yard. The tree was wrapped round and round with a thick vine that snaked from the roots up the trunk, fanning out along the limbs and branches. I saw that beneath the lush and vibrant vine, the tree itself was dying, its needles crisped brown, its branches brittle.

Not long after that late autumn walk, as Brad and I sat talking on the living room sofa, he offered a quiet observation.  “Your work as an author in Christian publishing has brought you more sorrow than joy,” he said gently, as the snow wisped outside the windowpanes.

I knew the moment the words left his mouth that they were true. I knew I was the pine tree wrapped round by the vine.

In that moment I finally acknowledged that the culture of publishing is not a place I thrive. I can’t separate my self – my whole, true self – from the platform-building, from the push to attract and attain more followers and subscribers, from the Amazon ranks. I can’t separate myself from what often feels like a relentless drive toward bigger, better and more. I can’t separate myself from wanting to be known, affirmed and recognized by the “right” people.

That winter afternoon, sitting on the living room sofa with my husband, I finally understood that I can’t unwind the vine. And honestly, I’m flat-out exhausted from trying.

This has been a hard truth to face. There are the logistics, for one. I was contracted to write another book, which means I’ve had to withdraw from that contract and pay back the advance I had received to write the book. That is hard.

But even harder has been the unexpected grief that’s accompanied this decision. It’s painful to acknowledge that the story I wrote for myself in my mind and in my dreams all those years ago didn’t write itself the same way in real life. There have been joyful chapters, to be sure. But there have also been many, many chapters full of sorrow, disappointment, bitterness, resentment, anger and frustration. There is heartbreak in recognizing and acknowledging that my dream did not turn out as I had imagined and hoped it would. There is grief in letting go of the story I’d hoped would be true.

But there’s also hope in knowing the story is still being written. As Emily Freeman writes in The Next Right Thing: “Just because things change doesn’t mean you chose wrong in the first place. Just because you’re good at something doesn’t mean you have to do it forever.”

As Esther de Waal says in her book To Pause at the Threshold, “Our God is a God who moves and he invites us to move with him. We must be ready to disconnect. There comes a time when the things that were undoubtedly good and right in the past must be left behind, for there is always the danger that they might hinder us from moving forward and connecting with the one necessary thing, Christ himself.”

God is moving and he is inviting me to move with him. It’s time.

So I am sad, yes. But I also know, as Emily Freeman says, that I didn’t choose wrong. And I know this because of you. I am full of gratitude for you – the generous readers who have come alongside me – for your kind words, your emails, your comments, your hugs when we’ve met in person. I’m grateful for what you have taught me along the journey. I’m grateful for all the things I’ve learned – about myself, about life, about faith.

And I’m also full of expectant hope for what might be next. I’m confident that even though I can’t clearly see it yet, what’s to come will be different, but it will also be good. I know this because I know God, and I know that he is good.

For now I am content to continue my work at The Salvation Army. I am glad to do my small bit for an organization that does good work. Most of all, it feels good and right to do that work anonymously, without fanfare, without pushing for recognition or readers, without trying to attract attention, without trying to be known.

As Akiko Busch writes in her book How to Disappear: Notes on Invisibility in a Time of Transparency, it’s time “to reevaluate the merits of the inconspicuous life, to search out some antidote to continuous exposure, and to reconsider the value of going unseen, undetected, or overlooked. Might invisibility be regarded not simply as refuge, but as a condition with its own meaning and power?”

I think it might indeed.

As I walked Josie along our favorite path a few weeks ago, I noticed that the branches of the white swamp oak were bare. The leaves that had held on through the long, hard winter had finally let go. Beneath the tree’s naked limbs lay its desiccated foliage, crumpled, ripped and bedraggled from months of hanging on tight through tossing winds and stinging snow.

Standing beneath the bare tree, I tipped my head back and saw that each branch and twig were crowned with a tightly curled bud. Over the dark days of our long Nebraska winter, the oak tree had been slowly, quietly working undercover, preparing new growth that has, I see now, begun to burst free.

First the letting go, then the unfurling. As is so often the case, the trees have shown me what I needed to see.

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I wanted to let you know that though I will not be writing books, I still hope, God willing, to write in this space. After months of discernment I was relieved to realize that writing is still life-giving for me. And so, if you’re still game, I would love to still meet you here from time to time and monthly via The Back Patio newsletter. I am ever grateful for you.